YOASOBI has announced a Singapore stop for their ongoing Asia tour, confirming a show at the National Stadium on February 20, 2027. With a capacity of roughly 55,000, the venue is the largest stadium in Singapore, and YOASOBI will be the first Japanese artist ever to headline a solo concert there.
The Singapore date is part of “YOASOBI ASIA 10-CITY DOME & STADIUM TOUR 2026-2027 Chou Wakusei ‘SUPER PLANET'” and marks the tour’s only stop in Southeast Asia. Presale tickets go on sale through Trip.com at 10:00 a.m. local time on August 18, with general sale following at noon local time on August 19 via Ticketmaster Singapore.
Who is YOASOBI?
YOASOBI is a duo made up of composer Ayase and vocalist ikura, known for a concept built around turning short novels into songs. They debuted in November 2019 with “Yoru ni Kakeru,” which surpassed 200 million streams by September 2020 and topped Billboard Japan’s year-end Hot 100 that same year. The duo made their first appearance on NHK’s Kohaku Uta Gassen (NHK’s annual New Year’s Eve music show) at the end of 2020, and released their debut CD, “THE BOOK,” in January 2021.
YOASOBI’s global breakthrough came with “Idol,” the opening theme for the anime “Oshi no Ko,” released in April 2023. The song topped Billboard’s Global Excl. U.S. chart, Apple Music’s global top 100, and YouTube’s global music chart, making YOASOBI the first J-pop act to achieve that combination of chart-topping results. The duo went on to play Kyocera Dome Osaka in October 2024 and Tokyo Dome in November 2024 as part of their “YOASOBI DOME LIVE 2024” run.
Author’s Comment
Fifty-five thousand people, one Japanese duo, zero opening acts needed. I remember when YOASOBI was just two names attached to a very good song about running into the night, and now they’re the first J-pop act to plant a flag in Singapore’s biggest stadium. Ayase and ikura built this on streaming numbers and an anime tie-in, not decades of grinding through variety shows, which still makes some industry veterans clutch their pearls. Doesn’t matter — the tickets will vanish in minutes. I just hope somebody in Singapore is ready for the crowd to sing the falsetto parts wrong and loud.
